Sunday, 16 December 2012

Mavis Palmer

Rest in peace Nan, I am as proud of you as you are of me.
Luke X

Friday, 7 December 2012

Pre-order 'Where is Iron John?' the artist's book


'Where is Iron John?' by Acerone 

A document of Acerone's first solo show in London from October 2012

I am trying to raise the funds to get this book printed so offering my followers the chance to pre-order one if the first 50 to be printed, all of which will be signed, numbered and dedicated to you with personal thanks from the artist - a real collectors item! By placing your order now, you will be contributing to the funds needed to get this book into print. Please help to support this book becoming an actual product!

40 page artist book 
20 x 20cm 
Printed on high quality premium smooth 170g paper
£15 with FREE SHIPPING!
To pre-order your copy please visit the Acerone Store
Each pre-ordered book will be signed by the artist and personally dedicated to the buyer/nominated person of your choice.

Wednesday, 28 November 2012

Grandfather, Father, Son, Grandson

An image that i caught a few weeks ago on a visit to family in Cornwall, a quick snap that i grabbed and momentarily lost amongst all the others from that weekend. Im so glad i found it again and had a few moments to give it a bit of post processing.
A very special photograph.

Thursday, 15 November 2012

Cross-Roads

Cross-roads of Blackswarth Rd, Chalks Rd and Church Rd, next to the entrance of St George's Park, the Fire Engine pub and Lloyds Bank. Taken last night at around 5pm, 30 second exposure with a wide angle lens set at 16mm.

Friday, 9 November 2012

BS5 in B&W



Research images of BS5 for the Redfield mural project. More to come soon...

Wednesday, 7 November 2012

A New Wall for Redfield

This post will be the first in a series that will document a new project i am working on in my local community of Redfield in Bristol, BS5. I have had my eyes on a wall in a local car park for some year now. One of those walls seems to attract tags - big, blank and off of the high street, it currently sports lots of mismatching grey block cover-ups and a spliff smoking acid smiley face. This wall is a beauty and needs brightening up with something a little more challenging.


After a multitude of emails to various Council associated people, i have finally been given the green light to get painting this space and bring some much needed life to a grey space. My idea is to take influence from my regular strolls and cycles from the centre back home to St George and pay homage to the various areas i find interesting along the route...


Over the next few weeks ill be using this blog to update my progress from start to finish, from gathering the photographs, through the digital manipulation process, painting the wall and the final piece, ill post my progress up here for you to follow.

Ill be back soon...!

Where is Iron John? Exhibition Images



You can see the rest of the images from the show at www.acerone.org

Monday, 8 October 2012

Exhibition Countdown - 3 days

OK, so the countdowns posts didnt really work out due to extreme business and the pressure of painting from 8am-2am for the past week or so....

Its time for me to leave Bristol and head up to the Big Smoke - so very few, if any posts until after the show. I really hope to see some of you there!

(Sneak preview of canvases being prepared in Art-el gallery Bristol)

Friday, 28 September 2012

Exhibition Countdown: 13 Days

A layer of golden yellow begins to be applied. Red needs 2/3 coats, yellow about 4. Painting with acrylic paint can be a long old process...

Today ill be accompanied by the sounds of Uncle Dugs on Rinse FM from 11am-2pm. When i stumbled across his show about a year or so ago i was instantly drawn in to the interactive element of the show - and his selection of jungle techno never fails to take me back to my youth. I spent so many hours of my early teenage years locked into local pirate radio stations like Ragga FM and Passion FM with my then hero DJ's Roni Size, Die, Dazee, Fellony, Bunjy and the Specialist, with MC's like Joe Peng, Jakes, Megatron and my school-mate Smiley, Bristolian kids of the 90's were spoilt with quality beats straight from the heart of the underground of our city - and i found the live element of radio exciting and infectious. Not to mention the underlying buzz that came from the knowledge that the radio station was being broadcast illegally and bringing us music that no other commercial station would dare play. From a young age i appreciated direct action.

Uncle Dug's 'Run Come Follow Friday' show always teleports me back to those carefree days, memories of which have undoubtedly spilled over into the paintings that deal with the notions of transitions from boyhood to manhood. So a big thanks to Uncle Dugs for beaming sunshine through my speakers every Friday lunchtime; in a weird and unexpected kind of way those vibes and memories have been captured in these paintings.

Special shout also needs to go out to Billy 'Daniel' Bunter who hosts a similar show on Kool FM on Mondays - but perhaps ill come back to that early next week :-)

Thursday, 27 September 2012

Exhibition Countdown: 14 Days


The Scottish writer and activist Alistair McIntosh once told me ‘It’s tough to be a young man in this world’ and he was right.

Images of adult manhood given to us by popular culture and mass media appear worn out. The right man, the tough man, the true man, all of which have been force fed to us since birth and are neither accurate nor relevant to the real life of a modern male.

When I recently became a father, my preconceptions of what it meant to be a man were flipped upside down. I found that the irreversible transition between boyhood and manhood had begun and with guidance from a long forgotten fairy tale, my most recent work explores key moments from what is perhaps the most challenging and turbulent time in any man’s life.

The collection of work comprises paintings that juxtapose imagery of London streets and statues of immortalised heroes, double exposure photography and installations that use images of light and death as an allegory for change.  ‘Where is Iron John?’ is a visual representation of a young man dissecting masculinity whilst negotiating the complexities of modern life in the inner city.

(Detail of final canvas in progress - currently untitled)